Some recent Chroma renders

Model: https://huggingface.co/silveroxides/Chroma-GGUF/blob/main/chroma-unlocked-v38-detail-calibrated/chroma-unlocked-v38-detail-calibrated-Q8_0.gguf

Workflow:

https://huggingface.co/lodestones/Chroma/resolve/main/simple_workflow.json

Prompts used:

High detail photo showing an abandoned Renaissance painter’s studio in the midst of transformation, where the wooden floors sag and the oil-painted walls appear to melt like candle wax into the grass outside. Broken canvases lean against open windows, their images spilling out into a field of wildflowers blooming in brushstroke patterns. Easels twist into vines, palettes become leaves, and the air is thick with the scent of turpentine and lavender as nature reclaims every inch of the crumbling atelier. with light seeping at golden hour illuminating from various angles

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A surreal, otherworldly landscape rendered in the clean-line, pastel-hued style of moebius, a lone rider on horseback travels across a vast alien desert, the terrain composed of smooth, wind-eroded stone in shades of rose, ochre, and pale violet, bizarre crystalline formations and twisted mineral spires jut from the sand, casting long shadows in the low amber light, ahead in the distance looms an immense alien fortress carved in the shape of a skull, its surface weathered and luminous, built from ivory-colored stone streaked with veins of glowing orange and blue, the eye sockets serve as massive entrance gates, and intricate alien architecture is embedded into the skull’s crown like a crown of machinery, the rider wears a flowing cloak and lightweight armor, their horse lean and slightly biomechanical, its hooves leaving faint glowing impressions in the sand, the sky above swirls with pale stars and softly colored cloud bands, evoking the timeless, mythic calm of a dream planet, the atmosphere is quiet, sacred, and strange, blending ancient quest with cosmic surrealism

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A lone Zulu warrior, sculpted from dark curling streams of ember-flecked smoke, stands in solemn silence upon the arid plains rendered in bold, abstract brush strokes resembling tribal charcoal murals. His spear leans against his shoulder, barely solid, while his cowhide shield flickers in and out of form. His traditional regalia—feathers, beads, and furs—rise and fade like a chant in the wind. His head is crowned with a smoke-plume headdress that curls upward into the shape of ancestral spirits. The savanna stretches wide behind him in ochre and shadow, dotted with baobab silhouettes. Dull embers pulse at his feet, like coals from a ceremonial fire long extinguished.

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Create a dramatic, highly stylized illustration depicting a heavily damaged, black-hulled sailing ship engulfed in a raging inferno. The scene is dominated by a vibrant, almost hallucinatory, red and orange sky – an apocalyptic sunset fueling the flames. Waves churn violently beneath the ship, reflecting the inferno’s light. The ship itself is rendered in stark black silhouette, emphasizing its decaying grandeur and the scale of the devastation. The rigging is partially collapsed, entangled in the flames, conveying a sense of chaos and imminent collapse. Several shadowy figures – likely sailors – are visible on deck, desperately trying to control the situation or escape the blaze. Employ a painterly, gritty art style, reminiscent of Gustave Doré or Frank Frazetta

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70s analog photograph of a 42-year-old Korean-American woman at a midnight street food market in Seoul. Her sleek ponytail glistens under the neon signage overhead. She smiles with subtle amusement, steam from a bowl of hot tteokbokki rising around her. The camera captures her deep brown eyes and warm-toned skin illuminated by a patchwork of reds, greens, and oranges reflected from food carts. She wears a long trench and red scarf, blending tradition with modern urban flair. Behind her, the market thrums with sizzling sounds and flashes of skewers, dumplings, and frying oil. Her calm expression suggests she’s fully present in the sensory swirl.